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Posted by Fred Clark

Nicolae: The Rise of Antichrist; pp. 148-151

Earlier this week, I was surprised to learn that the famously atheist magician Penn Jillette agrees with Jerry Jenkins about the moral obligation to proselytize aggressively. Terry Firma at Friendly Atheist shared this comment from Jillette:

I’ve always said that I don’t respect people who don’t proselytize. I don’t respect that at all. If you believe that there’s a heaven and hell and people could be going to hell or not getting eternal life. … How much do you have to hate somebody to not proselytize? … If I believed beyond the shadow of a doubt that a truck was going to hit you, and you didn’t believe it and that truck was bearing down on you, there’s a certain point at which I tackle you.

That’s very similar to Jerry Jenkins’ own views on the urgent duty to evangelize, and why no one should be offended when a sincere believer tries to “save” them:

If I had a neighbor who truly believed that if I didn’t wear a purple necklace, I would never get to Heaven, I would go to Hell, I would probably think he’s crazy. I would scoff and laugh. But if he didn’t tell me, I’d be a little offended.

I agree with both of them, up to a point. Their logic seems sound to me. Given their premise, their conclusion seems inescapable. This is an ironclad “if … then” argument. If you truly believe that God has revealed to you the one arbitrary, symbolic gesture without which everyone will be tortured for eternity, then you have an absolute duty to inform as many others as you can so that they, too, can make this gesture — wearing a purple necklace or praying the soterian incantation — and thus be spared unimaginable, endless pain. If that is what God is like and if that is how God’s universe works, then it really would be hateful not to spend your every waking hour spreading that news.

But while I agree that Jillette and Jenkins’ conclusion necessarily flows from their shared premise, I think their premise is ghastly nonsense.

Both Jillette and Jenkins defend aggressive proselytizing based on the premise that God is a cruel, capricious monster undeserving of our devotion, a God unworthy of — and evidently uninterested in — our love. This is a God whose default stance towards humanity is one of enmity and hatred. And the only way for any human to escape that default damnation is by learning and performing the secret handshake — wearing the purple necklace or uttering the magic words. That’s all rather horrifying.

This weird idea of a Hell-bent deity offering salvation only to those who have learned the secret gesture isn’t something one can easily glean from the Bible. With some studious creativity and a good bit of squinting, this idea can be shoehorned into, and then read back out of, a select handful of painstakingly excerpted Bible passages, but if you read any more of the Bible than just those few verses — even accidentally — or if you fail to read those few verses in just the right way, then it becomes very, very hard to reconcile this religion of Hell-avoidance with the God of that book.

It took centuries of hard work to transform the Bible into a manual of Hell-avoidance. It would be more credible, and far easier, to claim that the central theme of the dictionary is Hell-avoidance, since the dictionary mentions Hell more often than the Bible does. The Hebrew scriptures and the Pauline epistles of the New Testament have nothing to say on the subject. If you’re looking for Hell in the Bible, about the only place you’ll find it is in a handful of the semi-Pelagian parables of Jesus, wherein Hell is never the default destiny of the “unsaved,” but always rather the deserved punishment for selfish rich people. And yet none of the people who preach a gospel of Hell-avoidance seem to believe in that idea of Hell.*

But if this Hell-bent God and this religion of Hell-avoidance are not central to the Bible, they are central to the novels of the Left Behind series. It doesn’t matter whether or not this is how the actual universe works, it’s how the universe of these books works. In the real world, Jenkins’ premise is cruel and absurd, but the world of Jenkins’ novels is Jenkins‘ world — and in Jenkins’ own world, his premise is true.

Yet in Jenkins’ own world, neither he nor his hero, Buck Williams, lives up to this premise.

In these pages, Jerry Jenkins repeatedly stresses two things:

1. Buck loves his dear old friend Chaim Rosenzweig.

2. Chaim’s life is in imminent danger.

Buck had often been warmed by Chaim Rosenzweig’s ancient-faced smile of greeting. There was no hint of that now. As Buck strode toward the old man, Rosenzweig merely opened his arms for an embrace and said hoarsely, “Cameron! Cameron!”

Buck bent to hug his tiny friend, and Rosenzweig clasped his hands behind Buck and squeezed tightly as a child. He bured his face in Buck’s neck and wept bitterly.

The weeping here is for the family of their mutual friend, the former rabbi Tsion Ben-Judah, whose wife and teenaged children were recently murdered by “black-hooded thugs.”

Chaim’s sobbing appears to embarrass the “tall, dark-complected driver” who accompanies him.

Chaim nodded toward him. “You remember Andre,” Rosenzweig said.

“Yeah,” Buck said, nodding, “how ya doin’?”

Andre responded in Hebrew. He neither spoke nor understood English. Buck knew no Hebrew.

Readers already knew that “Buck knew no Hebrew.” But after that odd, unprecedented eruption of a Jersey accent from Buck it was probably necessary to clarify what is and isn’t true about how this character speaks.

Chaim tells Buck that Tsion has gone into hiding, and that “the authorities are trying to implicate him in the murders of his own family.” Here, finally, is an example of the kind of scheming, conniving evil I was lamenting the lack of in our last installment. Murdering Tsion’s family is evil. But murdering his family in such a way that he takes the blame and disgrace for it kicks things up another notch to Antichrist-level evil.

Unfortunately, though, this attempt to pin the blame on Tsion is rather poorly executed. And it’s not even the work of the Antichrist, but of “the authorities” in Israel — the one nation not yet under the power of Nicolae Carpathia. These “authorities” are Israelis who have not accepted Jesus as the Messiah and who are therefore, according to the authors, evil and manipulative. But, again, Tim LaHaye is a staunch friend of Israel. Ahem.

Tsion’s driver has also been killed.

“What?” Buck asked. “Not him too?”

“I’m afraid so. A car bombing. His body was barely recognizable.”

“Chaim! Are you sure you’re safe? Does your driver know how to –”

“Drive defensively? Check for car bombs? Defend himself or me? Yes to all of those. Andre is quite skilled.”

So Chaim is in good hands with his capable manservant Kato … I mean Andre. Yet he and Buck are both still worried for his safety:

“But you are associated with Dr. Ben-Judah. Those looking for him will try to follow you to him.”

“Which means you should not be seen with me either,” Rosenzweig said.

This is followed by another full page describing all the clumsy, amateurish awesomely sophisticated James-Bond maneuvers Buck has planned to escape being followed while he is in Israel. Plus a bit more of Buck/Jenkins’ signature telephone-porn. Realizing that Chaim used both their real names when booking Buck a hotel room:

Buck had to suppress a smile at the man’s sweet naiveté. “Well, friend, we’ll just use that to keep them off our trail, hmm?”

“Cameron, I’m afraid I’m not too good at all this.”

“Why don’t you have Andre drive you directly to that hotel. Tell them my plans have changed and that I will not be in until Sunday.”

“Cameron! How do you think of such things so quickly?”

“Hurry now. And we must not be seen together anymore. I will leave no later than Saturday night. You can reach me at this number.”

“Is it secure?”

“It’s a satellite phone, the latest technology. No one can tap into it. Just don’t put my name next to that number, and don’t give that number to anyone else.”

OK, so Buck is only in Israel until Saturday night, so that gives him … we have no idea. As usual, Jenkins hasn’t bothered to tell us what day it is. Or, for that matter, what month it is.

As they depart, Chaim says:

“If I were a praying man, I’d pray for you.”

“Chaim, one of these days soon, you need to become a praying man.”

Here, finally, Buck hints at his concern that his dear, sweet friend still isn’t wearing the purple necklace of salvation. Until he sees that amulet hanging from Chaim’s neck, he has to worry that his friend could walk out of the airport terminal and get hit by the Hypothetical Bus — sending the unsaved old professor straight to an eternity of hellfire and torment.

But it’s even more urgent than that here. It’s the Great Tribulation and the Hypothetical Bus isn’t hypothetical for anyone anymore. Buck knows that “Bible prophecy” says the first four “seals” of divine wrath will kill “a fourth of the earth.” And he knows that the seven seals of wrath will shortly be followed by seven “trumpets” of wrath, each of which will, in turn, slaughter another huge portion of the ever-dwindling population of those who survived the previous judgments. A frail old man like Chaim Rosenzweig seems particularly vulnerable and unlikely to be among the tiny remnant of those who somehow escape death in the coming months.

But it’s still even more urgent than that, because — as the two friends have just discussed for several pages — the “authorities” and the “black-hooded thugs” who killed Tsion’s family may also be coming after Chaim. The Hypothetical Bus is hunting for Chaim Rosenzweig. Its targeting system is locked onto him. This must seem to Buck as though it is likely his very last chance to convince Chaim to put on the purple necklace before it’s too late.

And yet he doesn’t:

“One more thing, Cameron. I have placed a call to Carpathia for his assistance in this.”

“I wish you hadn’t done that, Chaim. I don’t trust him the way you do.”

“I’ve sensed that, Buck,” Rosenzweig said, “but you need to get to know the man better.”

If you only knew, Buck thought. “Chaim, I’ll try to communicate with you as soon as I know anything. Call me only if you need to.”

Rosenzweig embraced him fiercely again and hurried off.

And that’s it.

Buck thinks, “If you only knew” — if only his dear friend somehow knew what Buck knows. If only there were someone who knew what Buck knows and who had a chance to speak to his friend Chaim, to tell him those things that Buck knows that he desperately needs to know — that his eternal fate depends upon him hearing and knowing. If only someone would tell him.

To paraphrase Penn Jillette, how much does Buck have to hate Chaim not to tell him? What’s stopping him from laying it all out and explaining to Chaim that Nicolae Carpathia is the Antichrist who will betray Israel, defile the rebuilt Temple and slaughter anyone who gets in his way?

I suppose the authors would say that Buck can’t risk telling Chaim what he knows about the Antichrist because that might jeopardize the secret plans of the Tribulation Force, but that can’t be the reason for Buck’s silence because:

A. Buck and the Trib Force are supposed to be heroes, and heroes are supposed to accept greater risk for themselves if there’s a chance that it might help save others; and

B. The Tribulation Force doesn’t actually have any plans, secret or otherwise.

What exactly is the worst thing that could happen if Buck told Chaim everything? The “naive” old professor might run to Nicolae and tell him all about it — tell him that his pilot, Rayford Steele, and his pet journalist, Buck Williams, were secretly conspiring to silently disapprove of him?

The bottom line here is that Buck and Jenkins have embraced the premise that Buck has an absolute obligation to tell Chaim everything. And yet Buck doesn’t tell Chaim anything. Chaim ought to be more than “a little offended” by that.

- – - – - – - – - – - -

* It’s interesting that Jenkins’ analogy involves a purple necklace. I like to think that’s an unintentional, subconscious acknowledgement of what the Bible actually does have to say about the idea of Hell.

Here’s a longer quote in which Jenkins presents his analogy in more context. This is from a 2007 interview, but he has used this same “purple necklace” analogy many times:

When we first started this, we went at it with such a sense of sincerity and pure motive. I mean, my feeling — and I was informed in this, too, by Dr. LaHaye’s attitude — would care about people. We really believe this.

We realize it’s a divisive message, especially in a pluralistic society, and that there would be people who disagree and say, you know, you’re [saying] Jesus is the only way to God, and that he’s going come back and rescue people out of the Earth. And so they’re saying we’re crazy.

And then they try to go further and say, it’s spiteful, condescending, or kind of hateful to other people. I often use this illustration, but if I had a neighbor who truly believed that if I didn’t wear a purple necklace, I would never get to Heaven, I would go to Hell, I would probably think he’s crazy. I would scoff and laugh. But if he didn’t tell me, I’d be a little offended.

And so my feeling is, people can laugh and scoff and disagree, and that’s their right. And, you know, honor that right. We live in a society where we’re free to compete in the marketplace of ideas. This is our idea. People are wondering what these crazy Christians think is going to happen? This is what we think.

Note that his main point is that others should not be offended by the “divisive message” he and Tim LaHaye are sharing. He wants us to appreciate their sincerity, and to recognize that because they sincerely believe we are damned if we fail to embrace their message, their proselytizing is actually an expression of genuine concern, respect and affection.

Like Penn Jillette, I’m willing to accept that argument. I would note, though, that this argument suggests that others who hold views other than the one held by LaHaye and Jenkins are also due the same generous hearing Jenkins pleads for here. Jenkins is quite gracious to his hypothetical neighbor with the purple necklace. I don’t know if he’d be quite so gracious to an actual neighbor with an actual Book of Mormon (or an actual Koran, or an actual copy of The God Delusion).

The bit with the purple necklace is Jenkins attempt to provide an example his listeners will find “crazy.” He wants us to see this purple-necklace faith as sincere, but goofy, absurd and arbitrary. He also wants us to see this purple-necklace faith as precisely analogous to his own soterian gospel. And it is. This sincere but foolish neighbor is foolish because he thinks we “get to Heaven” and avoid Hell by wearing a purple necklace, whereas Jenkins knows that we “get to Heaven” and avoid Hell by reciting an essential prayer. The silly neighbor has put his faith in a magical amulet, while Jenkins knows that only the proper magical spell can save us. They both agree, though, about the essential meaning of life, which for both of them involves only this: avoiding Hell.

And that, again, is why it’s intriguing that Jenkins settles on a purple necklace. Because if there’s one thing the Bible literally teaches about a literal Hell, it’s that Hell is for people who wear purple. So if you are going to make avoiding Hell your top priority, then nothing is more important than finding every purple-clad rich person in fine linens and pleading with them to help you feed the beggars at their gates before it is too late.

 

 

 

Beauty Mark

Friday, 24 May 2013 11:10 pm
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Posted by Rose

Illustration by Suzy X.

Illustration by Suzy X.

I’m spotty, like a leopard. Like a connect-the-dots game before the lines are drawn. My body is covered in more freckles and moles than I care to count. Small, big, flat, raised: There are entire galaxies of dark spots on my stomach and back. I’ve had some of them since before I can remember. Others seem to pop up overnight, after just a few hours at the beach. I even have a little brown fleck on the sole of my foot, where the sun certainly don’t shine.

Maybe you have a lot of spots, too. We’ve all got marks here and there. But I always felt extremely self-conscious about my embellished epidermis. It seemed to me growing up that all the other girls had glossy, monotone limbs, perfectly smooth torsos, and clear, unblemished faces—or delicate freckles speckled evenly across their nose and shoulders. I had the kind of skin that made adults go, “WOW! Have you been to a dermatologist recently?” Which is exactly the right thing to say if you’re trying to make a prepubescent girl feel insanely self-conscious at a pool party.

My moles weren’t cancerous, my parents made sure. Like millions of other similarly spotted humans, my skin is just more prone to creating little clusters of pigment. When I was seven or eight, a raised, round mole appeared on the left side of my nose, above my mouth. At that point, I had picked up from my classmates that freckles were cute, but moles were not. Even the name was guttural and ugly, evoking the blind, subterranean mammals that burrow through the earth. Embarrassed, I brought it to my mother’s attention. She called it “a beauty mark,” and pointed to supermodel Cindy Crawford, who also had a famously conspicuous mole near her lips. So did Madonna, and she often penciled it darker for her Marilyn Monroe drag (Marilyn—another moled-up babe).

The beauty mark has fallen in and out of fashion many times over the course of history. The ancient Chinese and Indian civilizations practiced moleomancy (!), the divining of people’s destiny based on the location and appearance of their spots. During the witch trials, moles were sometimes said to be the mark of Satan. In 18th century France, wealthy women painted or pasted on a dark patch called mouche (“fly” in French) to contrast with their powder-pale skin, and also to signal complex messages to their lovers. In the court of Louis XV, the location of my spot would have indicated indecisive flirtation, or perhaps flirtatious indecision. Some of the courtesans of the era even wore them in the shape of hearts, stars, or horse-drawn carriages to send more-detailed missives.

I didn’t think about any of this too much while attending my tiny, hippie elementary school, but when I moved to a middle school three times bigger, things changed. Everyone seemed to have spent the previous summer growing boobs and doing sexystuff at sleepaway camp, while I’d spend my time at a farm milking cows and playing with kittens, and those are not euphemisms. All of a sudden every inch of our bodies was subject to intense scrutiny. If someone didn’t wear a bra (me) they were teased until they begged their mother to buy them something ill-fitting from an old-lady lingerie store (also me). Conspicuous leg and arm hair, or head hair that wasn’t blow-dried into submission—everything was up for critique. I tried not to care what anyone else thought, but obviously I did.

I invited most of my class to my bat mitzvah, because I was hoping that if it was fun enough, I’d make some new friends. At my request, my parents had made one of those signing boards featuring a big photograph of me at age four, laughing joyously, my hair a halo of white-blonde curls. It was set up on an easel at the edge of our awkward 13-year-old dance party like a memorial to my former cuteness. It went OK, I thought to myself, after the music ended. The last people to leave were some of the most popular in my class. Girls in short dresses suggestively perched on the boys’ knobby knees. I sat at their feet wondering if this meant we’d all be friends now. Afterwards, I helped my parents clean up, packing presents and picking up discarded cardigans. As we were loading the signing board into the car, I noticed that someone had defaced my baby picture, using a Sharpie to draw a big black dot on my face in the approximate location of my beauty mark. I tried to imagine why someone would do such a thing: (1) One of my guests—someone I considered a friend or someone that I wanted as a friend—thought that it would be funny. (2) One of my guests did it specifically to hurt me. (3) One of my guests did it to be funny, and they just didn’t care if it hurt me. None of these explanations consoled me. I choked back tears of humiliation, filled with shame that my parents might assume that I was disappointed and ungrateful for the nice party they had thrown for me, one I had hoped would make me feel liked and admired. Instead, I felt pathetic and embarrassed, my entire existence defined by a tiny dark spot.

Over the course of the next few years, my parents periodically let me know I could remove my mole if it bothered me. But when I asked myself if it really did bother me, I wasn’t so sure. It wasn’t the mole itself that was the problem, it was the attention it got. I didn’t like the idea of carving myself up just because I felt self-conscious. I wanted to be proud of the things that made me me, like my wild hair and my inability to fake friendliness and my insanely accurate memory. Even if I had it removed, my skin would be still be marked with a scar where a mole had been. It wasn’t like I was ever going to get back to some pristine, unblemished state. So when my dermo told me that my moles were “regularly irregular,” that it wasn’t necessary to remove all the ones that weren’t perfect circles, I thought it sounded like a compliment, or at least a metaphor.

The summer between my junior and senior years of high school, I went on an educational teen trip to learn about Buddhism in India. The other kids were from all over the U.S.: Mormon Utah, Texas cattle ranch, Scarsdale cul-de-sac, urbane Chicago. We were strangers to one another, and yet the thousands of miles between our hometowns seemed like nothing compared to how removed our experiences were from the people we were meeting in the high-walled monasteries of the Himalayas. We drank butter tea with monks and talked to dissident Tibetans in exile and visited 50-foot statues of the Buddha. We were curious and respectful to our hosts and to each other, even when we had dysentery, altitude sickness, or just missed home.

After a few weeks, it felt like we had known one another forever. One day, I saw a list of names crumpled in the trash of a boy’s hotel room where we were all hanging out. Because I am an unrepentant snoop, I sneakily pulled the piece of paper out of the wastepaper basket. It was clearly a note he had written to himself to remember the names of girls on the trip, one he no longer needed. Next to each was written an identifying physical quality: Great smile. Black hair. Green eyes. Next to my name was one word: mole.

That familiar feeling of disgust came over me. This time, I caught myself before I descended into total self-hatred. Why did it make me feel bad that he noticed what I looked like? He wasn’t saying I was UGLY. Because I didn’t like it, I turned his noticing into an insult, but it didn’t have to be. In India, people openly stared at us on the street. We all look at one another all the time, reducing a complex individual to disembodied body parts, skin color, style of dress, defining characteristics. The details are the expression of our regular irregularity.

I’d like to say that after that I eventually made peace with my mole, that I learned to like it, even love it, and that we rode off into the sunset together and lived happily ever after. But over winter break during my freshman year of college, I got it removed. More moles and freckles had begun to crop up on my face, and the one that got all the attention had started to bother me. It was too prominent. I didn’t like seeing it in the mirror. I didn’t think it was cute. Most important, I spent too much time thinking about it. It felt like a stubborn symbol of a version of me that I wanted to leave behind, that wounded person who too often had let herself be paralyzed by self-consciousness. I had come to believe that I would not betray who I was by getting rid of my mole; keeping it out of principle would be giving it more power over me than it deserved.

When it was over, the procedure healed into an almost invisible scar. I’d run my fingers over my cheek, delighting in the smoothness. I felt lighter somehow. Surprisingly, for all the energy I’d spent worrying about it, the only friend who noticed was the one girl at my college who had gone to my high school. One night at a party after spring break, we were waiting in line for the bathroom. She leaned in close, peering at my face in the hallway’s dim light. “You had your mole removed, didn’t you?” I felt a tinge of guilt, but also something like relief that it really was gone. “Yeah, it was time, I guess,” I said, turning my face away from her gaze.

It sounded like a cliché, but it was the truth. By that point, I’d had a chance to get naked with someone else, and I’d experienced how the discovery of a scar or an unexpected freckle could amplify my love and desire rather than squelch it. If his imperfections could give me pleasure, why should mine give me pain? To me, this meant I could take off every mole on my body or sprout 100 more and I wouldn’t really be changing anything. Funnily enough, these days, my scar has taken on the color of a light freckle, and resembles a much smaller version of the mole that once occupied that same spot. I don’t miss it, but if you look closely at me, you can see where it used to be. ♦

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Posted by Anita Little

Screen shot 2013-05-24 at 12.12.10 PMComfort women” was the colloquial and reductive term given to the nearly 200,000 women across Asia who were lured, kidnapped or coerced by the Japanese military into being prostitutes for the Imperial Army during World War II. The “comfort women” system, which was organized and supported by Empire of Japan officials, originally began with impoverished Japanese women, but as military efforts expanded so did “comfort stations” with false ads for wartime nurses and factory workers being used, as well as abductions, to force women from China, Korea, the Philippines and Taiwan into government-sanctioned prostitution.

Once trapped inside the military brothels, women were raped and beaten, and those who became pregnant were forced to have abortions. Even after Japan lost the war, and the Allied Forces liberated the camps, some of the “comfort stations” were maintained for the use of Western soldiers. Seventy-five percent of these women are believed to have died in the war, while many survivors were left infertile because of sexual trauma or venereal disease.

It is regarded widely as one of the worst offenses committed by Japan during the war, and Japan issued a formal apology to “comfort women” in 1993. But many still say the country hasn’t appropriately atoned for this atrocity and feel further compensation should be offered to the surviving women.

And it doesn’t help that Toru Hashimoto, the mayor of Osaka (one of Japan’s biggest cities) recently said that military brothels served a needed role in giving relaxation to distressed soldiers:

When soldiers are risking their lives by running through storms of bullets, and you want to give these emotionally charged soldiers a rest somewhere, it’s clear that you need a comfort women system.

He went on to say that it was “necessary at the time to maintain discipline in the army” and that the brothels served as a healthy outlet for soldiers in controlling sexual energy.

His remarks were swiftly denounced by human rights groups, including Amnesty International, which has long criticized Japan for not properly acknowledging the women affected. AI’s recently released human rights report states that the Japanese government continues to deny “justice for the survivors of Japan’s military sexual slavery system” and called out Japan’s prime minister, Shinzo Abe, for his past insistence that the “comfort women” were volunteers.

Hashimoto and Abe are harsh reminders that some refuse to see the “comfort woman” system for what it was: systematic, state-organized mass rape. In putting blinders on, they help downplay the continuance of sexual violence in wars today.

Photo of “Purity Lost Forever” by Kang Duk Kyung taken from the House of Sharing in Gwangju, South Korea, a museum and communal home for surviving women

Happy Towel Day, everyone!

Saturday, 25 May 2013 07:12 am
deird1: lilac flowers, with text "how do they rise up" (lilac)
[personal profile] deird1
This is your former thirty year old, speaking to you from the lofty heights of thirty-one.

The view from here is excellent. Everything smells better and looks nicer, I feel so much wiser, the world makes sense, somehow, and I have this sort of peace...


Okay, I lie.

I am still the same person who pretends to be asleep on Saturday mornings while her cat stands on her face demanding breakfast. I still check my email first thing in the morning. I'm still hugging soft toys because apparently I won't ever grow out of that. And I just managed to put my foot through my fitted sheet - thus meeting my klutzy quotient of the day.

About the only thing that's different is that I now have to adapt to put the "one" on the end whenever I'm asked my age. Wish me luck...

Pentecost and the Holy Catholic Church

Friday, 24 May 2013 10:21 am
cjbanning: (The Bishop)
[personal profile] cjbanning
I'm hard at work on my post(s) about the affinity between Wittgensteinian metaethics and progressive Christian moral theology, but in the meantime I'd like to direct you to the post From Rome to Canterbury: My Journey to Anglicanism by Thomas Bradshaw over at The Empty Nave. This past Sunday--which was, of course the Feast of Pentecost--I had the pleasure and honor of witnessing Thomas make a mature public affirmation of his faith and commitment to the responsibilities of his baptism and receive the laying on hands by the Rt. Rev. Frederick Borsch. I'm proud and pleased to have been (in his words)
an inclusive, wise lay-minister and vestry member, who would later become a good friend--that pushed me to study hard and nourished my hunger of a greater theological education than what was available for me.
I should also note that some eleven hundred miles away on that same day, another dear friend of mine--Ruth Ellen of Patron of Poets, Scholars, and Nuns--was also receiving the sacrament of confirmation.

As I witnessed the confirmation of Thomas and the rest of his confirmation class, I of course remembered my own confirmation by George Councell (our diocesan bishop) in June 2008, but was also struck by the form used for the reception of candidates who have already been confirmed in another denomination:
N., we recognize you as a member of the one holy catholic and apostolic Church, and we receive you into the fellowship of this Communion. God the Father, Son, and Holy Spirit, bless, preserve, and keep you. Amen.
I have frequently noted that one of the things I like about Anglicanism is that it is very clear as to the distinction between the Communion and the catholic Church, with the former only being a branch of the latter. Thomas was baptized in the Roman Catholic Church and confirmed in the Episcopal Church; Ruth Ellen was baptized in the United Church of Christ and confirmed in the Evangelical Lutheran Church of America. I myself received both my baptism and my confirmation in the Episcopal Church. But we are all members of the same, one Church:
There is one Body and one Spirit, just as you were called into one Hope when you were called. There is one Savior, one faith, one baptism, one God and creator of all, who is over all, who works through all and is within all. (Ephesians 4:4-5)
Pentecost is often called "the birthday of the Church." As I've mentioned before, I find this somewhat misleading, and prefer to think of it instead as a preliminary coming of age, one of many different milestones of maturation from the teachings of the prophets to the confession of Peter to the resurrection at Easter to the ascension into heaven to the outpouring of the Spirt on Pentecost to the great ecumenical councils and beyond all the way to the eventual instantiation of the Kindom of Heaven in its fullness. One of the authorized collects for the feast of Pentecost states that on that day God "opened the way of eternal life to every race and nation by the promised gift of [the] Holy Spirit," the other that God "taught the hearts of [God's] faithful people by sending to them the light of [the] Holy Spirit."

As an Anglo-Catholic, I believe that the Church subsists in the apostolic churches as governed by the historic episcopate, but also that the elements of truth and sanctification found outside those structures compel towards catholic unity under apostolic authority. I'm reminded of this quote from Fr. Richard P. McBrien's 101 Questions and Answers on the Church, which I previously quoted in my essay History and Christ:
[Jesus Christ] is the great sacrament of our encounter with God and God's with us. The Church, in turn, is the sacrament of our encounter with Christ and of Christ's with us. And the seven sacraments, in their turn, are sacraments of our encounter with the Church and of the Church's with us. Indeed, the other members of the Church are sacraments of encounter for us and we for them because, in the Christian scheme of things, we experience and manifest the love of God through love of neighbor.
On this past Saturday--the day before Pentecost, and the penultimate day of Easter--my family buried my paternal grandfather. One of my duties consisted of picking some of the readings to be used at his funeral mass at St. Mary's Roman Catholic Church. I chose Wisdom 1:13-15, 2:23-3:9 as the Hebrew Scripture reading and Acts 10:34-48 as the New Testament reading. I chose the passage from Acts in part because it is traditional to read from that book in the Easter season, and part of the reason I extended it beyond the suggested reading of 10:34-43 was (beyond the fact that I needed to fiddle with it and I like long readings; my cousin-in-law, who read the Hebrew Scripture reading, which I also extended, was less than thrilled at me) because the following section seemed especially appropriate for the day before Pentecost (as the priest noted in his homily):
While Peter was still speaking these words, the Holy Spirit came on all who heard the message. The circumcised believers who had come with Peter were astonished that the gift of the Holy Spirit had been poured out even on Gentiles. For they heard them speaking in tongues and praising God.

Then Peter said, “Surely no one can stand in the way of their being baptized with water. They have received the Holy Spirit just as we have.” So he ordered that they be baptized in the name of Jesus Christ. Then they asked Peter to stay with them for a few days.
This is, of course, a story of radical inclusion. We are the Church, but the Church is God's, not ours. We don't get to set the boundaries.

Matthew Duss & Patrick Christy

Friday, 24 May 2013 04:48 pm
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Posted by Bloggingheads.tv

On Foreign Entanglements, Patrick argues that the US should "max out" sanctions on Iran. Matt says sanctions are having impact, but wonders whether they're changing Iran's nuclear calculus. They debate the credibility of US threats, including how Syria's possible use of chemical weapons affects Iran's behavior. Can Iran—or the US Congress—actually accept a deal? And would a strike on Iran's nuclear facilities be the inevitable first step toward regime change?


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Posted by Marinda Valenti

a7fbbc987e2b972ddf57c11e6c6244fd“You’re not going out dressed like that!”

“What mother would let her child wear such a short skirt?”

Think about it: How often do we police girls’ bodies? Recent talk of school dress codes reveals that it happens an awful lot, and for some confused reasons.

After a New Jersey middle school banned strapless dresses from a school dance, more schools have been making headlines with various clothing bans and restrictions. Some of these bans focus on attire for dances while others target daily wear such as yoga pants and low-cut tops. All, however, focus only on girls’ clothing, and most of these restrictions are put in place to avoid “distracting” other students (i.e. the boys).

The concern for overly exposed young bodies may be well-intentioned. With society fetishizing girls at younger and younger ages, girls are instructed to self-objectify and see themselves as sexual objects, something to be looked at. A laundry list of problems can come from obsessing over one’s appearance: eating disorders, depression, low self-worth. Who wouldn’t want to spare her daughter from these struggles?

But these dress codes fall short of being legitimately helpful. What we fail to consider when enforcing restrictions on skirt-length and the tightness of pants is the girls themselves—not just their clothes, but their thoughts, emotions, budding sexuality and self-image.

Instead, these restrictions are executed with distracted boys in mind, casting girls as inherent sexual threats needing to be tamed. Dress restrictions in schools contribute to the very problem they aim to solve: the objectification of young girls. When you tell a girl what to wear (or force her to cover up with an oversized T-shirt), you control her body. When you control a girl’s body—even if it is ostensibly for her “own good”—you take away her agency. You tell her that her body is not her own.

When you deem a girl’s dress “inappropriate,” you’re also telling her, “Because your body may distract boys, your body is inappropriate. Cover it up.” You recontextualize her body; she now exists through the male gaze.

Says Soraya Chemaly in The Huffington Post,

What is a girl supposed to think in the morning when she wakes up and tries to decide what to wear to school? They aren’t idiots. The logical conclusion of the “distracting” issue is, “Will I turn someone on if I wear this?” Now who is doing the sexualizing? My daughters would never have thought these things without the help of their school.

Suddenly, offensive hypersexuality isn’t just something a girl sees in music videos or magazines: It’s embodied in her, and her dress-coded school reminds her of that every day.

So what about those distracted young boys? Where do they come in? By barring particular outfits from school, dress codes help boys identify and objectify “inappropriate” girls and women. Girls who violate dress codes are violating rules, and girls who violate rules are bad. Bad girls can be desirable and sexy, but they don’t necessarily deserve respect (even from other girls).

And where respect is absent, objectification is easy. In her guide to self-objectification, Caroline Heldman explains how sexually objectified women are dehumanized and viewed as “less competent and worthy of empathy by both men and women.” Those who are dehumanized may be mistreated and made to feel inadequate. And if poor self-image is linked with objectification, it isn’t hard to see that this cycle feeds itself: Those who are objectified by others are treated as less than human, and in understanding themselves as less than human may self-objectify.

Asking girls to cover up is a Band-Aid solution to far more socially ingrained problems such as general misogyny and rape culture. As long as a girl or woman is always sexualized, it won’t matter how much she covers up—she’ll still be faulted for her inappropriate behavior.

It’s unfair to expect a young girl to understand the full implications of her body—implications put in place by an all-too-often misogynistic society—and punish her for not knowing better. A girl needs empowerment, not more complications in her relationship with her body. Jada Pinkett Smith had the right idea when asked why she would “let” her daughter Willow shave her head:

This is a world where women, girls are constantly reminded that they don’t belong to themselves; that their bodies are not their own, nor their power, or self determination. I made a promise to endow my little girl with the power to always know that her body, spirit, and her mind are her domain. Willow cut her hair because her beauty, her value, her worth is not measured by the length of her hair … even little girls have the right to own themselves.

Photograph credited to Lindsay Kamikawa via SanClemente Patch

Fear of Failure

Friday, 24 May 2013 07:00 pm
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Posted by Laia

Illustration by Esme

Illustration by Esme

A big important chunk of being a Creative Person With Ideas involves believing in those ideas enough that you can get them out of your head and onto (metaphorical) paper and, you know, make stuff. And sure, it’s possible that after you make stuff, you’ll look back at it and hate it and decide to start over again, or figure out a way to improve it. But what if every time you made something you hated it? And you looked at it with shame, and you asked yourself, Why bother? And these feelings grew and grew and grew until you couldn’t make anything anymore? Well, then THE FEAR has taken over and made you prisoner of your own doubts, and that’s it. You’re done.

I am well-acquainted with the Fear. We have been hanging out for more than a decade now.

Growing up, I wanted to be a fashion designer. I had figured this out as early as five or six. In the beginning, the girls I drew had no necks, big heads with eyes that looked like lowercase Ns, and sweetheart-shaped gowns. When I was seven or eight, my grandmother gave me a Crayola Fashion Designer Kit, which consisted of a plastic mold with three figures, colored pencils, and about 12 sheets with different designs to place your paper over and trace with the aid of a light box that doubled as a carrying case. It pretty much changed my life.

For the next eight years, I sketched all the time, like I was a professional designer on a commercial schedule. I would bring my drawings to school and show my classmates, and in between classes, I would draw. I loved halter necks in blues and fuschias, colors that I never tired of. Eventually I outgrew the plastic mold and tracing sheets and starting coming up with my own tight-fitting and color-blocked creations, probably as a result of my early love for Versace and their GLORIOUS ads, which I had recently starting tearing out of magazines and collecting. I was obsessed with the models in matching metallic leather skirts, and Kristen McMenamy in a seafoam-green dress pretty much defined femininity for me for the rest of my life. I spent all my time reading fashion magazines, memorizing the names of designers and models and editors and all those colorful creatures who populate the fashion world. Every time I caught an episode of the Canadian TV show Fashion File with Tim Blanks, I would daydream about being featured on it, and I kept boxes full of editorials and ads that I knew would one day serve as my “inspiration archive.” I took draping and illustration and sewing classes in high school, and a friend even had one of my sketches made into a prom dress. There was no doubt that this was what I was supposed to be doing.

Then I got to college. It was not at all what I hoped it would be. In my first studio class, I was disappointed to discover that my classmates had a more pragmatic approach to fashion: The girls loved shopping and thought Hey, why not? and the boys thought Alexander McQueen was unwearable, ugly, and unnecessary. All these years, I imagined that I would get to a place where I could geek out with my peers about the beauty of Hussein Chalayan’s mechanical collection, and instead I got a room full of people interested in real-life clothes. There’s nothing wrong with that, of course, but I wanted ART and DRAMA! A tiny seed was planted that soon sprouted into my entire being: Maybe I was the one who didn’t belong here. Rationally, I’m aware that it doesn’t make sense to let other people’s feelings interfere with your dreams and desires, but the brain is a crazy organ. I soon began to lose interest in my sewing class anyway, because the sewing machines were often occupied by students in more-advanced classes, and I had to go to the studio after hours in order to sew, which didn’t seem like that much fun when I could be hanging out with my crush instead.

I failed the course. I was ashamed and utterly pissed at myself. I had wanted this my whole life! Why was I acting like such a jackass? I took it again the following semester, with a better attitude and funner people, but again, I grew too distracted to dedicate the amount of work and attention needed. Worse, a lifetime of fashion-obsessing had suddenly turned against me. I looked at my inspiration archive and instead of being inspired, I felt a crushing anxiety. Compared with my heroes, I didn’t think I was talented. I was certainly no McQueen or Miuccia Prada. My drawings looked sad and stupid. I had nothing to say, no point of view. I stopped sketching altogether. My life’s passion became nothing but a reminder of my mediocrity, and during my third semester, I started thinking about other majors. The Fear had won. Scared of possible failure, I sabotaged myself, and abandoned my dream.

I became convinced that I had never thought the whole thing through, that I hadn’t seen how maybe my interests were changing and I was simply focused on the wrong pursuit. For one of my design classes, I had done an illustration on the computer, and suddenly graphic design made sense. My school offered the program with a minor in fashion, so I reasoned that I had mistaken my love of magazines, art directing, styling, and photography for a desire to be a fashion designer, when the whole time I just wanted to be responsible for the actual layout of the pages that had influenced me growing up. I was happy again. The Fear was left to rest.

I was a cluster of nerves during my first design class. All the kids were familiar with Photoshop and Illustrator; other than that one project I mentioned above, I had only ever used the computer to chat on AIM, make Angelfire websites, and look at Style.com. I had no idea there was this whole world of creation right at my fingertips. I loved it, though! I dove in with excitement, and I was surrounded by some really talented kids who totally inspired and challenged me for a while. But it wasn’t long before the Fear reared its ugly head again. As the courses got more complicated—and orbited out of my comfort zone with talk of corporate identity, YUCK!—I began to hate everything I did and would completely abandon and restart projects halfway through. For each assignment, we had a group critique where we hung our work on the walls and took turns talking about what succeeded and what could’ve used more thought, and every single time I saw my work next to theirs, I felt like dying and crawling in a hole. Since I’ve always thought that I had a really good critical eye and can easily tell good from bad, I figured my feelings about my own work MUST be true.

I managed to stick it out another three years and finish the program. When preparing for my exit interview, in which I had to present the work I’d done throughout college to the professors in my department as well as a guest judge, I spent countless nights held hostage by my anxieties, completely certain that I was going to be told: “You suck and you are not getting a degree.” But the interview went well. I cried. I graduated. I was suddenly in the real world.

In the years after college, I stopped making stuff, perhaps a natural consequence of not being in an environment where I NEED to create in order to get a grade. Finding a job in my preferred field became increasingly more difficult—it was the year all the magazines started shutting down left and right, which is obviously an inauspicious beginning when you are trying to become an art director. I worked full-time retail jobs because I had to survive, and was disheartened when I sent my portfolio to a highly regarded magazine only to hear back from them that they “loved my work,” but since I didn’t have a connection or know anyone that could refer me to the position, I didn’t have enough “experience.” The real world was crushing all the progress I had made in my last semesters, and slowly the Fear wormed its way back into my soul. I started to believe I was not good enough to do any of the things I wanted to do.

It was two or three years before I sketched or collaged or made anything again. I had ideas floating inside my head, but I swatted them away like flies, too paranoid about confronting my own crappiness if I attempted to execute them. Then one day I had an idea to make a little illustrated fashion zine, and since I didn’t have access to models and clothes, I would just do simple drawings on Illustrator of my favorite pieces from that season’s collections, like Proenza Schouler’s perforated bags and Pierre Hardy’s crazy sneaker-heels—it was more an exercise to refresh my skills with the programs than anything else. I kept putting it off and putting it off, because I believed it was going to be another giant failure. But the idea persisted and finally I had some free time and just said “Fuck it!” I started working on it without any idea if it would work out. I was enjoying the process so much that I was unconcerned with the final outcome.

And then I finished it, and I didn’t hate it. I made a website and sold some copies. And some places wrote a little bit about it, and I felt good again. And a year later I had the idea to make another one, and again I let it simmer and simmer and simmer until my brain could no longer contain it. And then BOOM, I finished it, and I loved it even more than the first. I was proud. And now whenever I look at it, it’s like a little trophy that I won for beating the Fear, at least that once.

Sometimes the best way to deal with a problem is to force yourself to face it, like, say, by pitching a story about it for the website you write for. When you include the idea in the monthly email, you pray “please don’t pick this one,” but you damn well know it’s gonna get picked and you’re gonna have to write it, and you hit send anyway.

So here I am.

This is not the end of the story, because I don’t have one yet. To be honest, I don’t think there’s a magic potion for conquering overwhelming feelings of self-doubt and anxiety, but I’ve learned that persistence pays off. It’s true that you have to make a million drawings or have a million ideas that are crap before you get to the good one, the one that uncovers something about you and the world. I am still totally afraid of failure, and of being judged by my peers, and of never being good enough, but at least now I know there’s a way around it, even if finding it is hard. ♦

Border collie syntax?

Friday, 24 May 2013 06:36 pm
[syndicated profile] languagelog_feed

Posted by Geoffrey K. Pullum

Since I have been unabashedly contemptuous of previous stories about dogs learning to understand human languages (for example, in I hammer home the point that fetching named objects is not understanding language in this post, which Mark Liberman followed up here), I think it is incumbent on me to acknowledge further developments in the area. So let me point out that Learning and Motivation has now published a paper about some experiments purporting to show that a 9-year-old border collie called Chaser who has learned rudimentary syntax. For example, it can differentiate To ball take Frisbee from its inverse, To Frisbee take ball, and perform the right action in each case. This Science News article gives a fairly full account of the results.

Me? I honestly don't know what I think about this yet. Maybe you want to comment below? I'm cool with that.

Sloppiness and its enemies

Friday, 24 May 2013 04:53 pm
[syndicated profile] languagelog_feed

Posted by Mark Liberman

Paul Krugman ("The Sloppiness Syndrome", NYT 5/22/2013):

So what is it with New Republic alumni? First Michael Kinsley, then Charles Lane, weigh in with defenses of austerity that aren’t just wrong, but painfully ill-informed. Kinsley not only makes a really bad analogy between current events and the 1970s, he seems not to know anything about what happened in the 1970s either. Lane attacks stimulus advocates for failing to address an argument that I actually discussed, at length, in my last column but one.

Whence cometh this epidemic of sheer sloppiness?

I’m not really sure, but in these cases I suspect it has a lot to do with the famed TNR/Slate premium on being “counterintuitive”, which in practice meant skewering supposed liberal pieties. (Kinsley himself joked that TNR should be renamed “Even the liberal New Republic”).

Of course, economics is not the only field where pundits are guilty of astonishing carelessness in the service of a story line; nor is clever counterintuiveness the only rhetorical frame that motivates such bullshitting (to use the correct philosophical terminology); nor are TNR and Slate the only publications where such material can be found.

For example, David Brooks writes for the New York Times, as Prof. Krugman does, and Brooks' motivation for shockingly sloppy presentations of "facts" and theories is usually to reinforce an all-too-familiar point of view, like "boys and girls need to be educated differently", or "social roles are determined by 'patterns that nature and evolution laid down long, long ago'", or "Western societies have an individualist mentality and Eastern societies have a collectivist mentality", or "individualism and governmentalization are rising, and morality is declining", or some combination of stuff like that.

(Though I guess that these long-familiar points of view can also be seen as "counterintuitive … skewering [of] supposed liberal pieties", although the skewering consists of earlier supposed conservative pieties.)

Anyhow, Krugman concludes that 'twas ever thus:

[H]ere’s my guess: if you went back through all the clever counterintuitiveness of past years, you’d find that a lot of it was every bit as sloppy and ill-informed as what we’re seeing now. The difference is the existence now of a policy blogosphere (in economics, of course, but in a number of disciplines too), which makes bluffing harder. In the past grotesquely ill-informed articles on, say, the Clinton health plan could sit out there for years, with only a handful of specialists aware of just how bad they were; now the pundit emperor’s nakedness is all over the web within days if not hours.

I suspect that a lot of punditry was sloppy and ill-informed long before the founding of Slate in 1995, with Kinsley as its first editor — and for that matter even before the founding of The New Republic in 1914.

But I agree that the world is better off with more of what Ben Goldacre has called "The noble and ancient tradition of moron-baiting", and that the blogosphere, for all its many faults, is the best method so far invented for "[making] bluffing harder".

(Obviously, all of the individuals under discussion are in fact highly intelligent — and for that matter so are the people that Goldacre critiques in his column, or the people that Martin Gardner critiqued. This issue is not intelligence, but willingness to bluff in the service of making an argument.)

This is what literary criticism is *for*

Friday, 24 May 2013 01:15 pm
cadenzamuse: Fandom: zero punctuation, sarcastic Yahtzee "ooh, edgy!" (zeropunctuation: ooh edgy!)
[personal profile] cadenzamuse
I have had this link open in my browser for several days, and I keep coming back to reread it. It's a review of some literary criticism about various kinds of ghosts and how conceptions of ghosts intersect with how white American culture looks at Native American culture.

http://rushthatspeaks.dreamwidth.org/485513.html

I am definitely going to pick up the criticism itself, but the essay reviewing it is a masterpiece in its own right.

An Invitation to Christian Feminists

Friday, 24 May 2013 04:19 pm
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Posted by Tony Jones

For the week of June 10, I am turning this blog over to feminist and womanist authors.

Some, whom I already read, I have already invited to post. Others, whom I do not (yet) read, can submit posts here. If I receive more entries that I can reasonably post, I have a small group of people (not me) who will sort through and select the entries.

Each post will be unedited. Criticism of me and my work is acceptable, as is criticism of the emergent movement. I’d prefer it if ad hominem criticism were avoided. Ad hominem criticism of others will not be accepted.

For those who have validly wondered if this blog is a safe space for female voices, I will not be actively moderating the comments. Nor will I be commenting. I will be reading, and listening.

If you are a Christian (or post-Christian, or non-Christian) feminist (or womanist), I hope that you will consider contributing a post.

Also, be sure and bookmark Fred’s Bonfire List.

U.S. Teen Birth Rates At All-Time Low

Friday, 24 May 2013 03:41 pm
[syndicated profile] ms_magazine_feed

Posted by Ponta Abadi

This one’s a real shocker: As more teens use hormonal birth control and condoms, fewer have babies.

A report just released by the Centers for Disease Control and Prevention shows teen birth rates dropped 25 percent in five years to a record-breaking low in 2011. The CDC has also reported that teens are waiting longer to have sex for the first time and are using contraception more often when they do become sexually active.

All states except two—North Dakota and West Virginia—had a 15 percent or more decrease in teen births between 2007 and 2011.  Are we surprised that North Dakota has some of the most restrictive abortion laws in the country?

Birth rates for U.S. teenagers 15–19 in 1991, 2007 and 2011.

Percent change in birth rates for U.S. teenagers 15–19, by state, from 2007 to 2011.

Two groups, African-American and Hispanic-American teens, saw the greatest decrease in teen birth rates. These groups historically have had higher teen birth rates, so the lowered rates are encouraging. At a national average, African-American teens had a 24 percent decrease and Hispanic teens had a 34 percent decrease over the five years.

Since 1991 there has been a 50 percent drop in teen birth rates among white, Hispanic and Native Americans, and a 60 percent drop for African-American and Asian or Pacific Islander girls. The CDC estimates that if these decreased rates had not occurred, 3.6 million children would have been born to teenagers in those two decades.

While sex-ed and birth control certainly make a big impact on teen birth rates, studies have also shown that birth rates sometimes go down during tough economic times. Either way, comprehensive sex education in schools is the best way for teens to understand how properly to protect against STIs and pregnancy. Despite the rates declining, the U.S. still has one of the highest teen birth rates among Western nations, and still too many sexually active young people don’t understand how their own bodies work.

Charts created by the Centers for Disease Control and Prevention.

OTW Fannews: Awesome creations

Friday, 24 May 2013 03:18 pm
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Posted by Claudia Rebaza

  • Mother Jones wrote about Jennie Lamere, who recently won the "best in show" award at the national TVnext Hack event by helping fans avoid spoilers on Twitter. She did it by writing "Twivo, a new program that allows Twitter users to censor their feeds from mentioning a certain TV show (and its characters) for a set time period." She was the only solo woman participating. "Hackathons (which have nothing to do with illegal hacking) bring together programmers, developers, and designers, who compete to code an innovative new program in a limited amount of time." Lamere has already been approached by a company to market her creation. "She came up with the idea for Twivo the night before the competition, and it took her 10 hours and 150 lines of code to complete."
  • Fan creativity isn't just becoming a given, it's beginning to be demanded as well. Kotaku posted about "Little Witch Academia...an animated 30-minute short released by Studio Trigger on YouTube" which was "produced as a part of the 'Young Animator Training Project'." Noting that anime fandom had successfully instigated a series from their response to an ad, writer Patricia Hernandez urged them to do the same with this project.
  • While non-scripted TV shows tend to lag in terms of fanwork creations, there's at least one fan video out there, "Hold Up, Bro" that can make people take note that they exist. "Lisa Ferreira recreated last week’s episode in Legos, showing how three idols led to Phillip’s exit. It’s fantastic and kind of shocking that Legos are so effective at representing Survivor cast members and locations." Ferreira then added " a full-length song and musical number...written and performed by Lisa and her brother Matthew Willcott."

What cool fanworks have you seen lately? Write about them in Fanlore! Contributions are welcome from all fans.

We want your suggestions! If you know of an essay, video, article, podcast, or link you think we should know about, comment on the most recent OTW Fannews post. Links are welcome in all languages! Submitting a link doesn't guarantee that it will be included in a roundup post, and inclusion of a link doesn't mean that it is endorsed by the OTW.

Message: 

Bastardized Orthodox singing

Friday, 24 May 2013 06:05 pm
anglomedved: (Default)
[personal profile] anglomedved

On Wednesday it was bastardized icon painting, (for initial pictures, see http://mmekourdukova.livejournal.com/295362.html), yesterday evening it was bastardized Orthodox singing: courtesy the choir of a local Roman Catholic lay community which uses the Orthodox rite, at the Chapel of the Resurrection in the European Community area, for the feast of Saints Cyril and Methodius.

I have a certain sympathy for Catholics using the Orthodox rite: the change from Latin to French at Vatican II deprived the French-speaking church of its only decent singing, which was Gregorian, and which does not go well into French. While Russian chant does, tolerably. Nearly every Catholic religious community I have known uses it in one form or another. Tolerably, only. Why? I can find two reasons, on two very different levels (though in fact pretty closely connected).

First: Put a bit simply and crudely: the Orthodox are not afraid to put their ‘force vitale’ fully into their singing. Catholics are. I never forget when I first heard Orthodox singing in Russia: it was something much more primitive, in the good sense of the term, earthy, impactful that what I had known in Catholic churches, of both the Roman and Anglo-Catholic varieties. What I heard last night, as so often, lacked ‘attack’ and a certain deep rhythmicity.

Second: (and for me this the fundamental mistake when Catholics try to imitate Orthodox singing and icon painting) is the idea that you can enter the spirit of Orthodoxy by imitating our singing and our icon-painting. I question this. Our singing and icon-painting comes out of a relationship with God. In Athonite terms, icon painting and liturgy are the result of, and in constant interaction with, what goes on in the prayer of the cell, the deep conversion of the heart, the fruit of considerable ascetic effort (and, of course, grace). Without this ascetic effort, the result will be flaccid, as we say in Belgian French: ‘bouph’. The experience of our icon school seems in fact to be pointing in this direction: it is not the confession (Orthodox vs. Roman Catholic) which makes the difference, but the depth of spiritual life behind it. Pretty systematically we are finding that our best icon painters are those, of both confessions, are those with full and disciplined spiritual lives.

The connection…? Orthodox spirituality, when done properly, never denies sexuality. It may redirect it, but the energy remains there, in full. Roman Catholicism is often afraid of it, Anglo-Catholicism at times scared stiff.

[syndicated profile] tonyjones_feed

Posted by Tony Jones

Questions That Haunt Christianity

This question comes from Mark, and it provoked some thoughtful dialogue this week:

Hi Tony, I just recently discovered you, and thankful to do so. I appreciate the way you think! As an aside, in one of your threads, you brushed upon the gender of God. (Holy Spirit was feminine.) I think it would be of great value, to discuss the entire issue of “the intrinsic gender(s) of the Divine.” Any thoughts, or comments?

Thanks, Mark. And thanks for being engaged in the comments, which always makes it more enjoyable, including the one in which you clarified:

I think that most Christians would agree, that God does not have some current biological form. (Although, the incarnate Christ did.) God is not currently a female, or a male. However, this does not rule out the possibility, that as a “person”, God has a “personality” (as do humans, hopefully). Can’t a “personality”, be both feminine and masculine, just as a character, or aspect, of their “personhood”? This view makes form of being, or form of substance, almost irrelevant, or not terribly important.

It’s really a great question, and one that has many layers. For me, I immediately thought of my kids. At their ages, they know the world in two categories: female and male. Dave had the same experience,

I’m nearly 10 years into a personal discipline of trying to change how I think about this, and have had literally hundreds of conversations with people about it. I’m stunned by how difficult it has been to alter my intuitive level thinking on this, which makes me think it is culturally ingrained from a very young age.

I’m raising a daughter with the explicit intention of enculturating her differently. In explicit, intellectual conversation she’ll describe God in ways that transcend gender or incorporate both genders, and she’ll freely express disagreement with people who speak of God in ways that are reserved for men or males. And yet when she herself is speaking about God, she says “he” or “him” nearly every single time, despite being corrected every time she’s ever done this over the course of her whole life.

My daughter’s 6, and though her experience is anecdotal, it makes me think a very deep and subtle force is at work.

For the record, I think this force, whatever it is, is for the most part harmful. I think it’s on balance a negative thing that God is gendered in the minds of most people.

I’ve done the same thing, working hard to disabuse my children (13, 11, 8) of using the male pronoun for God. They hear that plenty, so we use the female pronoun in our house, or the awkwardly constructed “Godself.” I think I’ve made an impression when they catch themselves referring to God with the male pronoun and glance at me sideways, with a smile.

One of the the biggest temptations of any human being is to anthropomorphize God. Honestly, I think it’s unavoidable — so much of our language is referential to our own human lives. We want to talk sensibly about God, and we naturally do so in language that describes God relatively to us. That’s a particularly acute problem when one thinks — as I do, and as Mark pointed out in his follow-up — that God is a personal being.

In fact, at this point in my journey, I think that God is not only personal, but in some way a self-enclosed being. This is what keeps me from embracing process theology, in which God’s personalness seems to bleed out into all creation. If God is everything, how can God also be personal? How can God have a personality?

The same can be asked of my version of the God-creation relationship, called panentheism. But in panentheism — at least Moltmann’s version, which I advocate — God is a distinct being who, in trinitarian love, embraces all of creation. Thus, the oneness that happens between God and creation happens at the volition of God.

Well, this may seem far afield from God’s gender, but it goes to show the relationship between God and our conceptions of ourselves. More to the point that what genitalia God has is what characteristics God exhibits. Honestly, I am loathe to assign particular traits to one gender versus the other. To say that women are “sensitive” or men are “dispassionate” is not only false but insulting. In certain contexts, males and females may be socialized to behave in certain ways, but I don’t think that there are particular, gender-based character traits that are baked into our genes.

So what does it mean when the Bible says that God rules with a “mighty arm,” or that God is like a “mother hen.” It means that humans in days past relied on anthropomorphic (and zoologic) metaphors to express their understandings of God. And I can’t blame them. But I don’t need to copy them.

Or, I can say this: God subsumes all characteristics. All characteristics of humans — including those traditionally considered “male” and “female” — are a part of God. They all live in God, and emanate from God.

In the end, it’s probably best to avoid gender-based pronouns for God as much as possible. Since that’s not always possible, let’s always remember that God embodies all characteristics that we know as humans, plus surely many that we don’t comprehend.

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My Prayer

"This is my prayer: that your love may overflow more and more with knowledge and full insight to help you to determine what is best."
-- St. Paul's Epistle to the Philippians 1:9-10

All entries copyrighted © 2009, 2010, 2011, 2012 by Cole J. Banning


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